The European Landscape Convention (Florence, 2000) has extended the focus from landscapes of exceptional value to degraded territories, implicitly recognising the crucial role that all places play for the quality of life of populations, in urban and rural areas. In this cultural and social perspective, the landscapes of everyday life, the abandoned landscapes, and finally the marginal landscapes, are worthy of new attention. Taking up the idea of margin put in focus by Gilles Clément (Clément 2005) that turns its sense from a pure residual area to a complex environment ready to unfold the maximum of its potentialities, the purpose of this contribution is to examine the role of depiction in giving shape to the landscape, giving meaning to words from the same area, and disassembling, reassembling, and giving new meanings to marginal areas (Tarpino 2016). The need to clarify the relationship – between visible and invisible components, between material and immaterial aspects, of which residents are stakeholders and bearers in a living and landscape context – therefore requires attention to those forms of representation that can allow landscapes on the margins to emerge as perceived and lived, in a way that is both descriptive and proactive through the use of unconventional maps and graphic experimentation techniques that leave room for multiple interpretations, visions and designs.
