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Critical review of studies on the representation of architecture and use of the image in science and art

Category: La nuova serie dal 2016 (en)

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Issue 18

It’s now open the call for abstracts for XY 18 January – June 2026  Edited by Fabrizio Gay The 2024 Nobel Prize in Chemistry recognised two fundamental

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Issue 16-17

For the journal, 2025 is a significant year: the fortieth anniversary of its founding at Sapienza University of Rome, the relaunch’s tenth anniversary at the

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Issue 15

Giovanna Massari Editorial. Elevated Sites Simone Bori Representing by Outlines. The Mountain, Described through its Contour Michela Rossi, Sara Conte Stories by Drawing. Dino Buzzati’s

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Issue 14

Giovanna A. Massari Editorial. Epochal Signs Rossella Salerno To Depict the Landscape at the Edges, Utilizing Unconventional Maps and Graphic Experimentation Techniques Giorgia Strano Between

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Issue 13

Roberto de Rubertis, Giovanna A. Massari Editorial Irene Cazzaro, Cristina Pellegatta, Starlight Vattano Urgent expressions between science and society Stamatina Kousidi On Performance. Addressing environmental

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Issue 11-12

Alessandra Cirafici, Paolo Giordano, Ornella Zerlenga Editorial. Freehand Thoughts Rossella Salerno Visualization, Design, Cognition: Describing Places through Drawing Alessandra Avella, Nicola Pisacane Proportions and Geometry

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Issue 9-10

Franco Purini Editorial. The Geography of the Image Riccardo Morri Producing, Reading and Understanding: Geographical Literacy and Representations Vincenzo Cristallo, Miriam Mariani ‘Infogeography’ of the

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Issue 8

Lucio Altarelli Editorial. Threads of design Franco Cervellini The grid Orazio Carpenzano The Field of Stones of Italy. The urban carpet at the foot of the

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Issue 7

Roberto de Rubertis Editorial. The duration of the image Sandra Suatoni Engravings of Italian architects of the late twentieth century. A heritage to identify, safeguard

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Issue 6

Fabio Quici Editorial. Images for a sentient society Michele Emmer A nulle immersion: Klimt in Paris Ghisi Grütter Photography as ‘open work’ and social mirror Enrico Cicalò,

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